Freelance

The editing/author partnership

By Editorsjourney | 13 March, 20 | Comments 0 Comment

I enjoy editing, but what I love most is the potential each experience has to develop into a long-term relationship that can last for years. Working with an Author long-term can be an incredible ride where you both share in the process and create a give-and-take relationship.

Years ago, I stumbled across one of my dearest friends Rickey via an e-mail fan group. We connected with our love of writing; we read each other’s work and gave gentle critiques. Over time, she decided to retire from her “day job” and try her dream job writing for a living.

Our partnership started out as writing partners, slowly putting together a series of books while I worked 40+ hours and she tried to figure out the publishing world. It grew rather organically to my reading her manuscripts for fun, and eventually, our ‘mutual admiration society of two became an editor/author relationship.

Today, she writes as Mallory Kane and has published over 30 books in the last decade and a half. Most of what I do for her now are Developmental Edits. She is one of those lucky few who just don’t need that much in the way of copy-edits.

What working with her has taught me, however, is that when you work together as long as we have your relationship, the partnership that you build often resembles a marriage. There is a level of trust and communication vital for a long-term editor/author partnership to succeed.

I live by real-world examples, so here is one:

In 2005, Mallory sent me a manuscript she was working on for Harlequin Intrigue. It was giving her some trouble and needed both a developmental and copy edit. I had looked at and edited at least half a dozen books for her already, and at most, I would fix a few grammar issues and sometimes suggest she add a prologue.

This book presented a more complicated issue and one that I thought would preclude it from being published. How in the world do you tell a fellow writer that they can’t publish the book as it is? I won’t go into details as for this discussion, they are unnecessary, but as an authentic myself, I will own that we ALL have these moments, scenes where our great idea just doesn’t work. The benefit of having someone do a developmental edit when this happens is that a good editor will not only point out the issues but give solid suggestions on how to fix them.

I know that I spent hours writing up solutions for Mallory. The phone call to her was so hard, probably more difficult because we are so close. Working with a complete stranger can be less traumatic, but my rule of life is to treat even strangers with respect and compassion and understand that they are trusting you with parts of their heart and soul. Be supportive and understanding yet firm, and remind the author that you want them to succeed. You are there to help make that happen.

I have often likened my relationship with Mallory as not just a friendship but something akin to marriage (a successful one) because of the level of trust we have developed with each other and how hard we have worked over the years to communicate with each other.

I hope if you are an author or editor reading this that you someday get to experience the wonderful partnership with someone like I have with Mallory.

Oh, and after setting the book aside for about 5 months, Mallory finished the book. It became one of my favorites that she wrote for Harlequin Intrigue– A Father’s Sacrifice.

She nailed it.

— Galen

You can find many of Mallory’s books via her website or her page on Amazon.

“I have had the pleasure of working with Galen Scott on various projects over the past 20 years. During that time, Ms. Scott has line- and copy-edited numerous fiction and non-fiction manuscripts, edited personal and business correspondence and handled website creation and maintenance for me. I have found her to be consistently accurate, knowledgeable, comprehensive and professional. In addition to those skills, it has been my experience that Ms. Scott is the single best continuity editor I have worked with in the field of fiction.”
–Mallory Kane, Multi-award-winning, internationally best-selling author of more than 50 novels.

Finding your niche as an editor

By Editorsjourney | 23 February, 19 | Comments 0 Comment

Over the years, I have often been asked, “what sort of things do you edit”? When I first started, in my complete naiveté, I found this puzzling. I’m an editor; I edit everything.

Through trial and much error (we call it a learning curve), I discovered that this is the wrong answer to the question. I can edit anything you throw at me; years of experience make that relatively easy, but I have preferences and areas that I’m particularly good at editing.

You can be a natural at spotting grammar mistakes and run-on sentences. You can even have a natural talent for reading something and being able to intuit what is missing or what might tighten up a scene. However, that is your base talent; that’s what drives you and what helps you push forward, and, yes, that instinct enables you to find your niche.

Because editing is a honed skill, there are usually genres at which you are particularly adept. I, for example, am very skilled at editing academics papers because of my academic background and familiarity with a wide range of style guides and disciplines. I am adept and skilled at doing Developmental Edits of Fiction.

A better answer to the question of “what do you edit” can in part be found in restating the question. “What do you prefer to edit” or “what is your area of expertise in editing” are the more informative questions to ask. And if talking editor to editor, “what is your niche?” and how do you find it?

In an earlier post, The Beginning of the Blog, I briefly talked about how I grew up in the Academic world. If a particular discipline surrounds you, that does tend to steer you in a specific direction. What you learn along the way is that it is crucial to dabble in other areas, maybe areas that you are not as comfortable with or haven’t experienced. Or, if, like me, you are a writer, you will find that you can become proficient in the areas you write. That said, some people cannot edit their genre, so if that’s you, you’re neither alone nor a rarity.

What we, as editors, must do as we explore our chosen career and try to decide what our specialty or niche is, is accept that we cannot be the best at everything and understand that having a niche can be a great benefit. Knowing what you are most passionate about and your area of expertise can open up doors for your business as a freelancer. It also can help you hone your skills in ways you never imagined.

My personal example is that while I specialize in academic editing and fiction (specifically Romantic Suspense), and you could easily call either of those my niche market, an area that I’m focused on is Poetry.

Poetry? That’s a niche, a specialized skill?

Why, yes, it is, and a surprise to me, too. (That journey will be another blog post, I am sure.)

So, for me, I actively seek out poetry manuscripts to edit. As a poet myself, I know that there is a particular skill to be able to edit poetry and RESISTING over editing it. The Poet’s voice can be more important than whether or not you used proper punctuation. My favorite example of why editing can be a very different experience when editing a poet is to suggest you read a few of his poems (https://hellopoetry.com/e-e-cummings/). Yes, there is structure; yes, he does stick to most grammar rules, but not always.

Sometimes, with poetry, the rhythm is more important than whether or not you use a period at the end of the sentence.

I have a fellow editor friend who specialized in children’s books for kids between 5 and 7. She enjoys working in a narrow field and loves what she does. She finds working on this limited genre best serves the publishing community. Other editors specialize in Technical Editing/Writing.

In our way, each of us picked Freelance Editing as a career and had something we preferred to edit, just as authors have a genre preference. Yes, you will find that you will edit outside this desired niche or your specialty. For the most part, once you are truly up and running, you can fuel your job as a Freelance Editor with your chosen niche and enjoy the process with all the passion you have for that area of expertise.

And that’s enough on that subject. Have a fantastic day!

Galen

An Editor’s Journey

Education vs. Experience: Knowing the balance…

By Editorsjourney | 2 February, 19 | Comments 0 Comment

So, given that I have been editing professionally for over 20 years, I have been asked what my educational background in editing is, more often than I can count. I didn’t come into this academically, however, at least not directly. Instead, my journey into the editing world started before college. My father, a Biochemistry Professor, had a grad student who asked me to examine one of her papers; it was my first academic editing experience. I was very flattered, given my age, that she asked my opinion. Meanwhile, I often read over English papers for fellow students at school.

Once I moved on to university, I continued the trend of looking over other people’s work. However, I did not consider it something I would ever do for a living. As a teenager, I had no confidence in the editing that I did of my work. I assumed that since I struggled to edit my papers, I was probably doing a piss poor job of editing the work of others. Many years later, I found out that my editing of other people’s papers was nearly flawless. Upon finding that out, I realized that there is a fundamental difference between editing your work and editing someone else’s.

During my time at university, I studied for a BA in Research Studies: Folklore and Anthropology with minors in Abnormal Psychology and English Literature. I also worked forward by taking several years of Masters Level Anthropology classes. At heart, I found myself to be a researcher, and in the field of research, I discovered a great need for editing. So, slowly, in between my day jobs, I began editing academic papers. As the years progressed, I also started writing and editing fiction too. Some years I worked more on fiction, others more on academic papers, until suddenly, in 2008, I realized I had been moonlighting as a freelance editor for well over 15 years. My husband and I talked and decided we could work out our finances in such a way as to let me retire from my day job and start working full-time as a freelancer.

So, my experience weighs much heavier than my specific editing education. For Freelance Editors, that works well, given that you tend to get most jobs in the freelance world based upon your reputation, skill, and word of mouth (networking). How many years you spent at a college or university studying to become an editor becomes less critical very quickly. Working at a large publishing company is a bit different. Often some level of educational background is required, many times with a specific focus. The professional editing world is a very competitive one. Thus most editing jobs with professional publishing companies require a BA/BS in Journalism, Communication, or English to get in the door.

As food for thought, another part of the process, no matter what area your plan to try to break into, publishing or freelance, is knowing how to market yourself.

That, however, is a post for the future; otherwise, we’d be here all day.

Galen